Pacific Comics made a huge splash in 1981. Bill and Steve Schanes had gone from a mail order company (which they started in 1971), to distributors, to art-portfolio publishers, to comicbook publishers at a pretty rapid clip. They seemed to know what they were doing, as when they decided to start their own line of color comicbooks (to be sold directly to Comics Shops--to whom they'd also distribute the comics they published, yep, yep), they started by inviting two extremely popular creators. The Schanes brothers were pals with Jack Kirby
due to their generous habit of supplying the King of Comics with copies of the comics he was producing--since the publishers seemed to keep forgetting to do it themselves. As it happened, Kirby had worked up his version of
Star Wars for another publisher, but
Captain Victory and His Galactic Rangers had never been picked up. The Schanes brothers grabbed it and Pacific Comics was off and running. Bill and Steve were also smart enough to know that, while Kirby was a legend, his star wasn't as bright as it had once been, and they needed a star who was blazing at that very moment.
Mike Grell had built up quite a following at DC Comics, rising up from back-up artist on
Aquaman and
Green Arrow, to fan-favorite on Superboy and the
Legion of Super-Heroes and
Green Lantern/Green Arrow, to mega-star on his own creation,
Warlord (which just happens to be the subject of this weeks
Famous First Fridays over at
Diversions of the Groovy Kind, hint, hint!). The brothers from Pacific approached "Iron Mike" and hit pay-dirt once again. Grell, too, had created a new series that DC was to have published, but for the housecleaning that had happened over there in 1978, and they decided he would do it as a six-issue mini-series. As a preview of what was to come, Pacific published a portfolio starring Grell's
Starslayer*: Log of the Jolly Roger prior to publishing the comic. The portfolio sold out and it looked like Pacific and Grell had a hit.
Grell reversed his
Warlord premise of a modern man being sent into a savage world, by having a savage man (a Celtic barbarian named Torin Mac Quillon) sent to a
Star Wars-inspired future. It was a cool premise (you can read the first issue on my pal
Joe Bloke's blog), with Grell's trademark great characters and art, taut dialogue, and realistic characterization. It should have been a hit. But a funny thing happened...
Pacific didn't run many ads, which meant that they had room for longer stories--or standard-length stories plus a back-up feature. Most of
Starslayer's first six issues had back-ups. First, there was something called
The Rocketeer by a new kid (who'd been toiling in the cartoon industry) named Dave Stevens ran in issues 2 and 3. While fans were digging Grell's
Starslayer, they were totally flipping out over
The Rocketeer. Nearly half the letters in
Starslayer were paens to Stevens and his genius.
Even the letters that focused on
Starslayer still found room to praise
The Rocketeer. Instead of leaving
The Rocketeer as a back-up in
Starslayer (there were only three issues to go anyway, right?), Pacific decided to create an anthology title,
Pacific Presents, and let Stevens' beautifully illustrated tale of 1930s era barnstormer Cliff Secord and his Bettie Page look-alike girlfriend headline it. There weren't many
Rocketeer stories published (though the character did blow through, what?, three publishers?), but what was published was popular enough that Disney
put it on the Silver Screen in 1991.
In
Starslayer #5, Sergio Aragones' latest creation, an inept barbarian named
Groo made his second appearance (his first had been in Eclipse Comics'
Destroyer Duck #1) as he went his merrily destructive way on to his own title.
Groo turned out to be a mega-hit, appearing under a variety of publishers and in hundreds of comics all the way into the 21st Century.
Grell finished his story of how Torin and his comrades saved the universe by destroying the earth (I told'ja it was a cool story!), then shifted his energies--and creations--to a new publisher, First Comics. Grell's time would be spent mostly on something completely different;
a series about a soldier of fortune who poses as a children's book writer called
Jon Sable, Freelance. After a few issues of
Starslayer at First, he handed the writing chores over to newcomer John Ostrander (he had given the penciling chores to another newcomer, Lenin Delsol, starting with issue #7, his first, eh, First issue) to focus completely on
Sable. Like Groo,
Sable also enjoyed a long run at a variety of publishers. Over 100 issues on and off up until this past year. Sable also starred in a short-lived
ABC-TV series in 1987, and was the subject of Grell's first prose novel in 2000.
With issue #10,
Starslayer got a new back-up feature. Written and co-created by Ostrander, co-created by yet another new artist, Tim Truman,
Grimjack had all the makings of yet another hit, and First knew it. They began plugging
Grimjack in the editorials and letters pages, as well as in the fan magazines. When
Grimjack's debut finally appeared, it blew fandom away.
A smart mixture of
Wolverine, Conan, Batman, Warlock, Mike Hammer, and Humphrey Bogart, the barbaric gumshoe/bar owner of Cynosure (the nexus of creation, where all worlds and realities converged) hit all the right buttons for those of us who had grown up in the 70s.
Grimjack was callous, tough, hard-bitten, short-tempered, and mercenary, but he was also cool, heroic, and morally centered by his own code of ethics. Ostrander's stories were biting and hard-bitten, while Truman's art was kind of ugly, but awesomely cool in a punk sort of way, filled with raw energy, and gloriously detailed. By
Starslayer #18,
Grimjack was teaming up with Torin and then it was straight to his own title. A title that ran 81 issues.
With issue #20,
Starslayer gained another back-up, Peter Gillis and Tom Sutton's mystical
Black Flame, who had been the back-up in First's short-lived
Mars series. The
Black Flame never got his own comic, movie, TV show, or novel, but the feature did take over one entire issue of Starslayer, issue #27.
The final issue of
Starslayer, #34, appeared in late 1985. Ten years later,
Acclaim Comics reprinted Grell's original Pacific mini-series as a "director's cut", allowing Grell to rewrite, redraw, and expand wherever he felt the need. Sadly it didn't lead to a regular
Starslayer series. Or movie. Or TV show. Or novel. Or even back-up strip.
That's it for this week, Awesome Ones. Don't worry, Ol' Groove will eventually fill you in on what
The Rocketeer, Groo, Grimjack, Jon Sable, and even
Starslayer were all about. Can't use up all my ammo in one post, now can I?
NEXT WEEK: "Insert Preview Here: DC Showcase, 80s Style". Don'tcha miss it!(*At about the same time, Jim Starlin was planning on expanding his
Metamorphosis Odyssey, which had been running in
Epic Illustrated, into a series. The idea was to spin one of the main characters off into his own series. That character was to have been
Vanth Starslayer. Grell informed Starlin of his ownership of the "Starslayer" name, so it was
Vanth Dreadstar who went on to star in his own comic.)
Bruce Jones and April Campbell *. In the 80s, they became perhaps my favorite editors on the strength of the magnificent anthology titles they produced/packaged/edited for Pacific Comics: Twisted Tales, Alien Worlds, and the magnificent, single-issue of
Pathways to Fantasy**. Those mags were intended to be--and were quite worthy-- modern-day heirs to the great EC line of comics of the 1950s. They were also very much a product of their times, printed on "Baxter" paper (that crisp, white, low-gloss paper that holds up so well to the ravages of time) in full-process color (by masters like Joe Chiodo and Steve Oliff) with painted covers. "R" rated (a "Recommended for Mature Readers" lable was added to the covers with issue #6) with plenty of blood, nudity, and profanity (sometimes, admittedly, of the titillating, unnecessary sort). In fact, it was kind of like taking Marvel's Epic Illustrated
mag, making it comicbook size, and splitting it into three comics...with much better writing, since Jones, himself, handled most of the writing chores. And don't let anyone tell you otherwise, Bruce Jones was a master of the short-comicbook story format. (I'll soon be posting some of his Unknown Worlds of Science Fiction, and Warren work over on Diversions of the Groovy Kind for proof of that.) Don't forget that Campbell helped plot, edit, and contributed a few stories of her own, as well.
(*aka April Campbell Jones--she and Bruce married in 1984.) (**Yeah, they did other cool stuff for Pacific, like Somerset Holmes and Silverheels, and yeah, they continued producing awesome anthologies for Eclipse after Pacific's demise. I'll cover all of that--as well as profiles on both Bruce and April--in future posts, promise!)
